вторник, 5 июня 2007 г.

Martha Wash - 1992 - Carry On

Martha Wash - 1992 - Carry On

Format: CD, Maxi-Single
Country: UK
Released: 1992
Genre: Electronic
Style: Garage House, House

Codec: Lame 3.92
Quality: CBR, 192kbps, stereo

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Tracklisting:

1 Carry On (Original 7" Edit) (3:30)
2 Carry On (Masters At Work 12" Dance Mix) (6:46) Remix - Masters At Work
3 Carry On (Masters At Work Dub Mix) (5:14) Remix - Masters At Work
4 Carry On (12" Alternative Dance Mix) (7:26) Remix - Masters At Work
5 Carry On (Carried Away Dub) (7:08) Remix - Jim "Bonzai" Caruso
6 Carry On (Carry This 12" Dance Mix) (5:26) Remix - Jim "Bonzai" Caruso

Runaround (Master Dub)
Runaround (Tee's 12" Mix)

Southern Exposure - 1979 - Headin' South


Southern Exposure - 1979 - Headin' South

Label: RCA
Catalog#: AFL1-3389
Format: Vinyl, LP
Country: US
Released: 1979
Genre: Electronic
Style: Disco

Tracklisting:

A1 Headin' South (7:55)
A2 On Our Way (9:38)
B1 Love Is (11:48)
B2 Tight Pants (6:01)

Codec: Lame 3.92
Quality: CBR, 192kbps, stereo

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Credits:

Debbie Cathey (vocals)
Jimmie Jamison (vocals)
Carl Marsh (keyboards, synths)
Brian Russell (guitar)
Michael Toles (guitar)
Errol Thomas (bass)
Barry Keane (drums)
Dick Smith (percussion)

A one-off studio concoction by Three Hats' Willi Morrison and Ian Guenther. The 'Headin' South' EP features string parts by members of the Toronto Symphony, including Peter Schenkman, and brass parts featuring Guido Basso and Rob McConnell (of The Canadian Brass). Recorded and mixed at Phase One/RCA Studios by George Semkiw with assistance from Mick Walsh.

воскресенье, 3 июня 2007 г.

Penny McLean - 1975 - Lady Bump


Penny McLean - 1975 - Lady Bump

Artist Penny McLean
Type Album
Released November 1975

A1 Lady Bump 3:42
A2 Devil Eyes 3:45
A3 The Wizard Bump 3:32
A4 The A-B-C of Love 3:20
A5 1-2-3-4 ... Fire! 3:04
B1 Big Bad Boy 4:40
B2 Baby Doll 4:05
B3 Smoke Gets in Your Eyes 6:03
B4 I'm Knocking (at Your Door) 3:00

Codec: Lame 3.92
Quality: CBR, 320kbps, stereo

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Penny McLean

Born November 4, 1948 , Austria
Currently Munich, Bavaria, Germany
Member of Silver Convention
Related Artists F.R. David
Also Known As Gertrude Wirschinger [birth name], Gertrude Münzer [married name], Barbie Münzer [artist name], Barbra [artist name]
Genres set disco

Review by Søren Jensen http://rateyourmusic.com

Penny McLean's debut album followed hot on the heels of Silver Convention's rise to fame with hits such as Save Me and Fly, Robin, Fly / Tiger Baby. "Lady Bump" was the big hit - and absolutely irresistible mid-70s disco. Pure 5 stars! The follow-up singles "1-2-3-4 Fire!" and "Devil Eyes" obviously built on the same formula and are also very catchy songs - however, they didn't fare as well. In short, all the other songs - including a disco cover version of "Smoke Gets In Your Eyes" (the second single in the US) - are fun and fresh.
Some trivia:

1. The original Jupiter LP comes with a poster of Penny.
2. The backing vocals were done by the real vocalists of Silver Convention's first album, Gitta Walther, Betsy Allen, Lucy O'Neal and Roberta Kelly. The (in)famous scream on "Lady Bump" was done by Gitta aka Jackie Robinson). Penny, however, screamed live on several TV-appearances.
3. Penny and her Silver Convention colleagues Ramona Wulf and Linda G. Thompson didn't sing on the first Silver Convention album - although they promoted the singles on TV. Jupiter Records therefore issued solo singles by each of the girls to prove they could sing. Penny by far got the best one - neither Ramona's cover of Save The Last Dance For Me nor Linda's Ooh What A Night could match Penny's "Lady Bump" in popularity.

Silver Convention – 2003 - The Very Best Of Silver Convention


Silver Convention – 2003 - The Very Best Of Silver Convention

Artist: Silver Convention
Genre: R&B/Soul
Sub Genre: Disco
Release date: 20 October 2003

The Very Best Of Silver Convention

Disk 1

1.Get Up & Boogie (That's Right)
2.Always Another Girl
3.Acuestate Conmigo
4.Dancing In The Aisle
5.I Like It
6.No No Joe
7.Thank You Mr. D.J.
8.Tiger Baby
9.Blame It On The Music
10.The Boy With The Ooh Lala
11.Breakfast In Bed
12.Chains Of Love
13.Get It Up
14.Heart Of Stone
15.Love In A Sleeper
16.Mission To Venus
17.Old Wine In New Bottles
18.Everybody's Talking About Love

Disk 2

1.Fly Robin Fly
2.Save Me
3.Ooh What A Night
4.Spend, The Night With Me
5.You've Got What It Takes
6.Play Me Like A Yoyo
7.Please Don't Change The Chords
8.Son Of A Gun
10.San Francisco Hustle
11.Take Me, Shake Me, Wake Me
12.City In The Sun
13.Fancy Party
14.Land Of Make Believe
15.Wolfchild
16.Hotshot
17.Cafe Au Lait (Enhanced Version)
18.Telegram
9.You Turned Me On

Codec: Lame 3.92
Quality: CBR, 320kbps, stereo

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Silver Convention - 1978 - Love In A Sleeper


Silver Convention - 1978 - Love In A Sleeper

Label: MCA Records Inc.
Catalog#: MCA-3038
Format: Vinyl, LP
Country: US
Released: 1978
Genre: Electronic
Style: Disco

Credits:

Arranged By, Conductor - John Davis (5)
Bass - Vince Fay
Brass, Strings - Don Renaldo
Congas - James Walker
Drums - Jimmy Young
Guitar - Craig Snyder
Keyboards - John Davis (5)
Producer - Michael Kunze
Synthesizer - Gerson Rosenbloom , Michael Kunze
Vibraphone - Nick D'Amico
Vocals - Ramona Wulf , Rhonda Heath , Zenda Jacks
Vocals [Male] - Jerry Rix

Tracklisting:

A1 Spend The Night With Me (4:26)
A2 Acuestate Conmigo (5:00)
A3 Love In A Sleeper (5:33)
A4 Mission To Venus (4:30)
B1 Get It Up (3:50)
B2 Take Me, Shake Me, Wake Me (4:24)
B3 Breakfast In Bed (3:48)
B4 City In The Sun (3:15)

Codec: Lame 3.92
Quality: CBR, 320kbps, stereo

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Review by Søren Jensen http://rateyourmusic.com/

Silver Convention's meteoric rise to fame with such hits as "Fly Robin Fly" and "Get Up And Boogie" was followed by an equally rapid decline in popularity. Their third album Madhouse was an excellent album but didn't contain any hits - their 1977 Eurovision entry Telegram performed disappointingly in both the Eurovision Song Contest and the charts, and the masterminds Sylvester Levay and Michael Kunze parted ways quickly afterwards. Kunze teamed with Stefan Klinkhammer for a non-album single release, The Boys from Liverpool which was a resounding flop. Singer Penny McLean decided to leave and was replaced by UK singer Zendy Jacks (real name: Sue McClusky). While this trio went on an extensive live tour, Kunze went to Philadelphia to record the backing tracks for the group's fifth album. The result was good if a complete change in the group's sound - stomping Philly disco beat, arranged by John Davis, the new Silver Convention sounded like an entire new group. The infectuous "Spend The Night With Me" (featuring Zendy duetting with Jerry Rix) was the single release b/w the title track, and it was largely overlooked in Germany. Quite a shame really as both sides were really strong disco tracks. In the US, an extended "Spend The Night ..." was coupled with "Mission To Venus" for a double-A-side 12" release. The LP plays consistently strong, and only the track "City In The Sun" isn't up to par with the rest. This was Silver Convention's final studio album. The group reunited with Penny McLean for an ill-fated 1979 single release, Café Au Lait / Rollermania before they finally gave up.

Silver Convention – 1977 - Summernights




Silver Convention – 1977 - Summernights

Label: Polydor (Germany)
Catalog#: 2382 082
Format: Vinyl, LP
Country: Germany
Released: 1977
Genre: Electronic
Style: Disco

Credits:
Bass - Gary Unwin
Congas - Joseph Spector
Drums - Martin Harrison (2)
Engineer - Zeke Lund
Guitar - Sigi Schwab*
Keyboards - Sylvester Levay
Percussion - Joseph Spector
Producer - Michael Kunze , Sylvester Levay
Violins - Fritz Sonnleitner's Fantastic Strings

Tracklisting:

A1 Summernights (3:58)
A2 Wolfchild (4:20)
A3 Hotshot (5:57)
A4 Voodoo Woman (4:00)
B1 Telegram (5:29)
B2 Ain't It Like A Hollywood Movie (5:06)
B3 Save Me '77 (3:11)
B4 Blame It On The Music (4:27)
B5 Disco Ball (3:10)

Codec: Lame 3.92
Quality: CBR, 320kbps, stereo

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Review by Søren Jensen http://rateyourmusic.com/

Silver Convention's outrageous and experimental third album Madhouse saw a drastic decline in their chart placings, and producers Sylvester Levay and Michael Kunze returned to the formula of the first two albums and made the sound a bit lusher, and the resulting Summernights (issued in the US as Golden Girls ) was quite a satisfying album. It included their Eurovision entry for Germany 1977, the Motown-ish "Telegram", which was a huge favourite before the contest but despite a great stage performance, it only achieved a disappointing 8th placing in the finale in London. The song wasn't popular in Germany either where it only managed to climb to #27 in the charts. Nevertheless, the album is thoroughly enjoyable disco from start to finish although the re-recording of "Save Me" seems pointless. Levay and Kunze parted shortly after the LP release, and rather than issue a second single from the album, Kunze teamed with Stefan Klinkhammer to record an ill-advised Beatles-medley with "The Boys from Liverpool" which didn't do Silver Convention's career much good.

Silver Convention - 1976 - Madhouse


Silver Convention - 1976 - Madhouse

Label: Midland International Records
Catalog#: BKL1-1824
Format: Vinyl, LP
Country: US
Released: 1976
Genre: Electronic
Style: Disco

Credits:

Bass - Gary Unwin
Congas - Elmer Louis
Drums, Percussion - Martin Harrison (2)
Keyboards - Silvester Levay*
Producer - Michael Kunze , Silvester Levay*
Strings - Fritz Sonnleitner
Vocals - Penny McLean , Ramona Wolf , Rhonda Heath
Written By - Silvester Levay, Michael Kunze

Tracklisting:

A1 The World Is A Madhouse (7:10)
A2 Plastic People (3:35)
A3 I'm Not A Slot Machine (3:22)
A4 Fancy Party (4:55)
B1 Dancing In The Aisles (5:29)
B2 Everybody's Talking 'Bout Love (3:31)
B3 Magic Mountain (5:56)
B4 Midnight Lady (4:22)
B5 Land Of Make Believe (3:41)

Codec: Lame 3.92
Quality: CBR, 320kbps, stereo

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Review by Søren Jensen http://rateyourmusic.com/

Silver Convention burst into the disco scene in 1975 with a fantastic novelty album including such classic hits as "Save Me" and "Fly Robin Fly", member Penny McLean had a monstruous German solo hit single with "Lady Bump" before Silver Convention's second album "Get Up And Boogie" which was another hit record although the formula was already starting to wear thin.
For Silver Convention's third album, producers Sylvester Levay and Michael Kunze decided to change direction. Abandoning the simple one-liner-lyrics, they composed the "Madhouse" oratorio, based on this sinister story:

All of a sudden M. realized that he wasn’t free.
He was stuck inside four walls on which every morning the latest news were written.
The people who came to see M. were made out of plastic. Obviously their voices came from a pre-recorded tape,repeating all the time just one word: Money.
M. ran away. He wanted to see human beings. So he went to a party. But nobody there was what he seemed to be. It was all a masquerade. In his embarrassment M. started to pray.
Somebody must have heard that he longed to be in heaven.
They gave M. a ticket and put him on a 747.
No one understood why M. cried when he came down again.
A radio and a tv-set were installed in M.’s lonely room to comfort him. M. destroyed everything in anger.
That was when the devil tempted him, offering a ride to the Magic Mountain.
But M. refused to follow. Somebody had told him that there was no way back from that trip.
‘I’ve got another remedy’, the devil said. ‘It’s called Sex and it can make you happy’. But what the devil calls happiness is usually a lie.
M. had to learn that.
In his greatest desperation a strange thing happened.
M. fell asleep and dreamed that he was living in a wonderful land of peace and freedom.
It was so easy. All M. had to do was to close his eyes and to forget that he was locked up in a madhouse.

Packaged in an outrageously bizarre cover with a psychedelic painting of a madhouse, this wasn't an album made for the glamourous disco floors but a dark, compelling, funky album with robotic, almost ghostly vocals by Silver Convention girls Penny McLean, Ramona Wulf, and new member Afro-American Rhonda Heath who'd replaced Linda G. Thompson. All the tracks are great, strange and melancholic. The only single lifted from the album was "Fancy Party" which was obviously modelled as a follow-up to "Get Up And Boogie" - when it didn't catch fire, it was quickly flipped over, and the B-side "Everybody's Talking 'bout Love" became the A-side and went to the UK #26 although it was a flop in Germany. In the US, they opted for "Dancin' In The Aisle (Of A 747)" which had a very "Fly Robin Fly"-esque riff as the only single - it was a disappointing #102 after two #1-hits. Short on hits or not, the "Madhouse" album remains an excellent album all the through and is highly recommended.